Trimurti - the three apparently contradictory aspects of existence: A concise history - By Francis Watson p. He believed that it is "the greatest representation of the pantheistic god created by the hands of man.
Created with a higher purpose, perhaps their end could have been different, but their history is one of poisoned ideology and atrocity. Even when they were counted amongst the loyal Space Marine Legionstheir nature and actions were ever questioned.
Some argued that they were Use of symbolism to reveal a a function of necessity, the monsters needed to drag a barbaric age into the light.
Some say that they were a mistake, a misjudgment compounded by circumstance. A few wonder if they were damned from the moment they were born, that they were destined never to be part of the future they would help create.
All such speculation is ultimately pointless; no matter the cause, the Night Lords are creatures of horror and always were. The Legion's first recruits came from the linked prison sinks of ancient Terra. In vast caverns filled with the half-crushed ruins of millennia there lived men and women who had transgressed against the laws of their masters.
Condemned never to see the light again or breathe free air, they lived out their lives in fear and blind darkness. There was no law in these lightless lands, and survival existed only by a blade's edge.
Only the strongest and the most ruthless survived in the subterranean warrens, and those who did grew in cruelty and cunning. Fed by a constant influx from the hive cities above, the prison sinks were an ever hungering gate to madness and murder. But of the millions who lived and died in the sinks, not all had been punished by the world above.
Amongst the bloodshed and fear, children were born. Cradled in the dark, and raised amongst death, those who lived over a standard decade were pale, silent creatures who moved without a sound.
Dour, with skin so pale it resembled ash or powdered bone, they were far from their brother Legionaries in manner and appearance.
The gene-seed of the VIIIth Legion had been well-paired with the human stock of its first recruits, and if anything it seemed as if one had been made with the other in mind.
Besides accentuating their paleness of skin, the gene-seed gave the sons of the underworld the ability to see through darkness to a degree that far exceeded that of the Astartes of other Legions. This gift was also a curse, forcing them to see the light of suns and stars through filters and flare buffers; even though they now walked in the light of the world above, the warriors of the VIIIth Legion always walked in the night.
The Unification Wars "Send the Eighth! Several of those who had bent their knee to the Emperor had done so because they believed that it was the only choice. Others, having seen the empires of techno-barbarian warlords rise and fall, believed that they were simply part of a temporary arrangement.
Crimes against the new order took many faces: Whether as a consequence of their genetic inheritance, or the combination of their origins and indoctrination, the warriors of the VIIIth Legion seem to have tended towards moral absolution and a drive to enact retribution.
There were no shades of grey in the VIIIth Legion's moral universe, no degrees of guilt or innocence. Truth and falsehood was as day is to night, indivisible and unqualified.
The dark was the realm of guilt, lies and monsters, and those who dwelt in the dark knew only the language of blood, the message of swift and merciless retribution for their actions.
Justice brought the light to darkness, and justice was neither warm nor caring, but as indifferent and cold as the edge of a knife. The warriors of the VIIIth Legion were creatures made to live in the dark, and to fight a war for a future of light. In their core, they were warriors for a future that would have no place for creatures of their kind.
Perhaps memory was too kind, perhaps many wished to believe that here was a nobility in such monsters, where in fact there was only horror. Perhaps many wished there to be a purpose behind atrocity, otherwise how could such creatures be suffered to live?Movies themselves are metaphors for how humans experience life on a deeper level.
Creating a unique language of metaphors and symbols for your film is a big part of being a visual storyteller. Symbolic images help us to understand abstract concepts that cannot always be translated into words.
A symbol is a mark, sign or word that indicates, signifies, or is understood as representing an idea, object, or relationship. Symbols allow people to go beyond what is known or seen by creating linkages between otherwise very different concepts and experiences.
All communication (and data processing) is achieved through the use of symbols. Symbols take the form of words, sounds, gestures. Which description most clearly defines the mood of the passage from the monkey's paw? But her husband was on his hands and knees groping wildlhy on the floor in search of the paw.5/5(7).
Symbolism can also be seen as being at the forefront of modernism, in that it developed new and often abstract means to express psychological truth and the idea that behind the physical world lay a .
Analysis: Symbols. The first section of our analysis deals with symbols: Heart Troubles - The heart is traditionally a symbol of an individual's emotional core. The first sentence of "The Story of an Hour" informs us that Mrs. Mallard has heart troubles. Her physical heart problems symbolize her emotional heart problems as it relates to marriage.
Writer's Craft: The Use of Symbolism. Writers often use different literary techniques in order to bring greater understanding and reveal some truth about a character to the reader.
One of these techniques is the usage of symbolism. A symbol is something that means more than what it is; it has a /5(5).